Ryder Richards Interviews Frances Bagley & Tom Orr PLACES for SCULPTURE: JAPAN with Tom Orr & Frances Bagley The Nasher, Summer 2018 Many thanks to Tom and Frances for their time sharing a complex story of over 20 years of sculpture partnerships between Japan and Dallas. Online Magazine
New gallery weaves its vision in Westwood The owners of the new Basketshop Gallery pledge to keep conversation and hospitality flowing in a working-class neighborhood not accustomed to alternative art practices.
Babel’s Bricks: The Power of Play by Michelle Aldredge, gwarlingo.com June 23, 2017 THE DIFFICULTY OF PLAY While North Adam’s MASS MoCA celebrates the grand opening of Building 6 this month, just down the street Gallery 51 embraces its playful side as guest-curator Corwin Levi tackles the most ambitious of art enterprises: participation.
Fun with a Sex Machine by Christina Rees, Glasstire.com on May 16, 2017 [“link”] The Art Of Sexperimentation: An Exploration Of Sexual Creativity in the Pursuit of Climax
LOCATE ARTS: CONNECTOR INTERVIEW with Ryder Richards Locate Arts: What experiences compelled you to pursue contemporary art in your work and life? Ryder Richards: I wish I could point at one moment, but it is more like an addiction that gradually invades every corner of your life. At one point a few drawings were enough, but […]
Texas Artists Elevate Ordinary Materials into High-concept Works by Marco Aquino || San Antonio Current October 05, 2016 at 6:00 AM After selecting the current trio of female artists for Artpace’s fall 2016 International Artist-in-Residence program, Massachusetts Museum of Contemporary Art (MASS MoCA) curator Denise Markonish once again lends a curatorial hand in this fall’s Hudson […]
Ryder Richards at Beefhaus, Dallas Glasstire.com by Colette Copeland, 21 Oct 2016 [link] Ryder Richards’ most recent performance work Invisible Hand took place at Beefhaus Gallery in Dallas for a couple of weeks recently, in the run up to the fall season. The show examined the politics of labor (very specifically from the point of view […]